EQUIPMENT REVIEW ●
Reimyo CDP-777
CD Player
by Alan Sircom
High-end audio is often much like a game of poker, the most
obscure hand wins. I'll see your Blue Circle AG3000 dual mono pre-amp and
raise you a GLIM M-8 three-box single-ended triode mono power amp. But when
it comes to CD players, the great audio poker game suddenly goes all conservative.
Accuphase, Krell, Linn, Wadia, Naim, Mark Levinson... the same names have
remained at the top of the high-end tree for a decade, with nary a challenger
to up the ante. Fortunately, the Combak Reimyo CDP-777 represents the Royal
Flush of CD players – almost no-one's seen one, it costs a cool £9,500 and
it sounds bloody marvellous. So it should: the word “Reimyo” is Japanese
for miracle.
The Combak Corporation of Japan is best
known for producing remarkable bits of high-end tweakery: It's the company
behind Harmonix, those tuning feet and wall dots that change the sound of
your system by releasing a stream of metrionic particles in the quantum foam and reversing the polarity
of the neutron flow - or something. The company also makes a range of very
well-respected cables, mains conditioners, 300B-based single-ended triode
power amps and even a pair of mini-monitors called Bravo, but most of the
electronics stay firmly ensconced in the Pacific Rim. Only the CD player
and an older, cheaper DAP-777 digital converter are readily available in
Blighty.
At the heart of the CD player beats an Extended
K2 processor from JVC, the same beast used to produce the XRCD-2 discs. This 20-bit DAC effectively ‘guesses’ the
beyond-20kHz frequency response
of a PCM-based data-stream and fills in the blanks, in a manner not dissimilar
to the systems used so effectively by Pioneer and Wadia. Once upon a time, such technology was available
to mere mortals on JVC's own CD players (it still exists on JVC's top DVD
Audio/Video players, but these models lack the battleship build of the best
JVC players or the Combak, and the sound suffers accordingly). Right from
the outset, K2 was considered to be full of high-end potential as a processing
standard, albeit one that – thanks to the comparatively cheap JVC players
sold in the UK – never quite achieved its potential. The Reimyo liberates
the K2 from the strictures of price and shows just what it is capable of.
The K2 system used by the Reimyo CDP-777 is the most recent Version 2.0
system, which was never seen on JVC CD players in the UK, so it represents
a unique slice of what the best of the technology can do. Effectively, it's
a 176.4kHz 24bit player with four times over-sampling, so theoretically
this means a data rate in excess of 700kHz. The analogue frequency range
is suggested to hit its end-stops around 88kHz, so sonically it has more
in common with a SACD player than a vanilla CD player in terms of frequency
response. It also features a JVC based top-loading magnetic puck transport
mechanism and a manually operated smoked glass sliding door that only allows the
disc to play when fully shut. Somehow, this glass manages to feel like it's
damped and slides perfectly. Double-glazed French window fitters
take note
– it can be done! Essentially, the internal organs are those of JVC's never-hit-these-shores,
top of the line XL-Z900 CD player, but don't make the mistake of thinking
this is just a JVC player in a different case. The PCBs inside the CDP-777
may use JVC components but the circuits themselves are entirely Combak-created.
Naturally, of course, it is also packed with those resonance tuning devices
that made the Harmonix name.
One word about build quality
– magnificent. We rarely see this sort of Japanese fit and finish in the
West. But remember, Japan is the home of Shindo Labs and Japanese audiophiles
are well known in the industry for demanding the sort of standards that
would make Swiss watchmakers blanch. The end product has been designed and
assembled by precision measuring instrument manufacturer Kyodo Denshi. On
the basis of the CDP-777 alone, Kyodo Denshi must rank up there with Rolex,
SME and Bentley.
The CDP-777 is simplicity itself in
layout, with those over-large buttons, a big display and quite a gap between
sockets on the back panel. Add in even bigger green LEDs, (you can turn
off the display, but not the green LEDs, from the remote) and this at first
looks rather like it was designed for those with restricted hand movement
and limited vision. But it is actually a relief after attempting to fiddle
around with pissy little plastic buttons to come across a product that's
built to last longer than I will. The RCA/phono analogue audio sockets are
reassuringly well made WBT style
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www.combak.net/